What is Inventive Step objection and how to overcome it?

Patentability of a subject matter majorly depends on: Novelty, Inventive Step and Industrial applicability – and the subject matter is supposed to comply all the three criteria to be eligible for patenting. Out of the three criteria, perhaps, proving the fact that the subject matter is inventive is the most challenging one. 

Now, inventive step being a subjective matter, it is quite unpredictable at times – the way of its interpretation may vary from person to person; thus, a dearth of uncertainty is always there till the end of the tunnel, i.e. till the grant of the patent. 

So let us first understand what actually is Inventive Step:

In the Indian Patents Act, 1970, Section 2(1)(ja) defines inventive step as:

““inventive step” means a feature of an invention that involves technical advance as compared to the existing knowledge or having economic significance or both and that makes the invention not obvious to a person skilled in the art;”

To check for the presence of inventive step in a patentable subject matter, the examiner is free to combine or even mosaic the teachings of multiple prior arts – and if the resultant of the mosaicking results in a subject matter which is closely related to the patentable subject matter in question, the inventive step of the subject matter stands objected. Which in other words, indicate that if the resultant effect of combined reading of the existing prior art results something which functions in the similar fashion or solves the similar issue or addresses the same issue as that of the present subject matter in question, then the same would not be considered to be having inventive step.

When it comes to economic significance as a part of inventive step assessment, it depends on the disclosure in the application document – which ideally is required to disclose how the present subject matter contributes to economy (for e.g.: 1/5th of the price of a similar subject matter etc.). Economic significance is usually not that difficult to prove if the application already discloses the economic significance or if not, the applicant should be able to prove the same during the prosecution stage. 

The major challenge lies in identifying ‘a person skilled in the art’ because of the fact that ‘a person skilled in the art’ is not defined in the Indian Patents Act, 1970 – thus that always leaves the discretion to the examining authority with regard to identification of Inventive Step. Based on the case law evolution, it is generally followed that a person skilled in the art is one who:

  • Belongs to the same field as that of the subject matter in question;
  • Assess the subject matter based on his expertise or acquired knowledge in the same domain and is aware of the fact that small changes can bring dramatic functionality change in the subject matter.

Further, it is the ‘hindsight bias’ of the person skilled in the art results in evaluating past actions or occurrences where the evaluator is aware of how those actions or events turned out – which influences the judgement of the inventive step of the subject matter in question.

Now, how to overcome the inventive-step objection?

For an inventor or even for an attorney, learning the fact that the patent has been rejected based on the fact of invention being ‘non-inventive’ can be quite frustrating as ‘inventiveness’ is a pure subjective matter and many-a-times becomes tough to overcome. 

In India, inventive step objection generally comes in the stages of First Examination Report or Hearing or Opposition. Being subjective in nature, it can definitely get tricky, but then there are ways in which inventive step, if justified logically, can be overcome. Those can be:

  • Technically justify the fact that the subject matter in question is not a mere workshop improvement – it involves technical advancement, and thus even the mosaicking of prior arts would not result in the technicality as involved in the present subject matter;
  • Proving the fact that the prior arts cited to challenge the inventive step fail to teach or suggest the solution to the problem as has been done by the present subject matter;
  • A mere hindsight bias of the controller – without any fall back on the prior arts can be challenged based on the fact that none of the disclosures teach or suggest the solution to the problem statement as identifies as well as solved by the current subject matter;
  • Additionally, if the inventive step justification isn’t convincing enough, claim or specification amendments can be done to take care of the same.

Moreover, a well drafted patent application can even minimize the occurrence of obviousness rejection in the first place itself. It helps in saving resources and achieving the intended results. 

With the increasing rate of patent enforcement activities in India, it is quite frequently observed that the inventive step objections come up – but then with a properly drafted application, it can be minimized to a large extent.

Author: Priyanka Chakraborty

Copyright © 2023 Intellect Vidhya Solutions Law LLP. All rights reserved.

Frequently Asked Questions:

Is obviousness the same as inventive step?

The Term Obviousness is most of the times synonymously used for Inventive step – some Patent offices use the term Inventive Step while others use non-Obviousness.

While in India, the Indian Patents Act 1970 Section 2(1)(ja) defines inventive step, US Patent Law mentions, a patent for a claimed invention may not be obtained, notwithstanding that the claimed invention is not identically disclosed as set forth in section 102, if the differences between the claimed invention and the prior art are such that the claimed invention as a whole would have been obvious before the effective filing date of the claimed invention to a person having ordinary skill in the art to which the claimed invention pertains. Patentability shall not be negated by the manner in which the invention was made.

How is non-obviousness related to inventive step?

For a subject matter to be eligible for patenting, it should be sufficiently inventive and non-obvious. The purpose of the inventive step, or non-obviousness, requirement is to avoid granting patents for inventions which is a mere workshop improvement, and to achieve a balance between monopoly that patenting provides and encouraging invention.

What is the difference between inventive step and non-obviousness?  

The expression “inventive step” is predominantly used in Indian and Europe, while the expression “non-obviousness” is predominantly used in United States patent law. Thus, they both fundamentally indicates that an invention to be eligible for patenting, should be technically sound enough and not related to any known concepts of existing prior arts.

Share:

Facebook
Twitter
LinkedIn
WhatsApp

Related Posts

Design or Patent? Securing Your Auto Innovations the Right Way

In the automobile industry, intellectual property (IP) is of utmost important in order to protect new ideas and technologies. Two key types of IP that are often discussed in the context of the automotive sector are design protection and patents. While these two serve different purposes, they often overlap, especially in the automobile sector. In this article, we will cover what design and patent protections are, how they work, where they overlap, and what challenges businesses face. What is Design Protection? Design refers to the look or aesthetics of a product. In the field of automobile industry, design protection can cover the external shape of a car, the design of its parts, or its internal features. Design protection aims to stop others copying the distinctive look of a product. The Design Act and Eligibility In India, design protection is governed by the Design Act, 2000. To qualify for design protection, the design must meet these requirements: What Can Be Protected as a Design in the Automobile Industry? In the automobile sector, you can protect many things as a design, including: For example, the shark fin antenna on luxury cars or the unique grille of sports cars are examples of designs that can be protected. What is a Patent? A patent protects inventions—novel, useful products or processes. In the automobile industry, patents typically protect technological innovations and mechanical systems that make a vehicle work better. The Patent Act and Eligibility In India, patents are governed by the Patents Act, 1970. To get a patent, the invention must meet these criteria: Protection Time for Patents Patents last for 20 years from the filing date, as long as you pay maintenance fees. After that, anyone can use the invention freely. What Can Be Patented in the Automobile Industry? In the automobile sector, patents can cover things like: For example, Tesla’s electric powertrain or BMW’s advanced braking systems are patented technologies. Overlap Between Design and Patent Protection Design and patent protections have different purposes, but they often overlap in the automobile industry. A single product, like a car, can be protected by both design and patent. Here’s how: Challenges of Overlapping Design and Patent While having both design and patent protection can be helpful, it also comes with challenges: How to File for Design and Patent Protection? Filing for both design and patent protection requires careful planning and understanding of the legal process. It’s important to work with a lawyer who knows how to handle both types of protection. Conclusion The interplay between design and patent protection in the automobile industry provides opportunities and challenges for companies that want to protect their innovations. However, it also comes with challenges like complexity and costs. By understanding the differences between design and patent protection, and with the help of expert legal guidance, businesses can better protect their innovations and stay ahead in the competitive automobile market. Contact Intellect Vidhya Solutions—your partner in protecting intellectual property for any questions or needed support in navigating the complexities of design and patent law.

Read More »

AI Voice Cloning and Its Copyright Legalities: The Arijit Singh Case

The fast developments in AI voice synthesis led to in a revolutionary era in technology: immediate voice cloning. Modern algorithms can now produce a nearly identical replica of an individual’s voice using just a few minutes of their voice recording. Most of us probably have heard a number of songs that include the voice of our Prime Minister; these recreated tracks are a clear example of AI voice cloning. Such technology has allowed creators and businesses to create things like songs, speeches, etc., in the unique yet identifiable voices. It could enhance creative and personalized media but, in doing so, also creates complex ethical and legal difficulties, particularly with respect to copyright, privacy, and personality rights. AI Voice Cloning: Understanding the Technology Voice cloning is dependent on the cutting-edge of deep learning and machine learning algorithms to analyze an individual’s voice frequencies, tone, and accents. Once those specific characteristics are recorded, they can be reproduced digitally in order to create audio that as closely as possible resembles the original speaker. This feature, when paired up with Speech Synthesis Markup Language (SSML), enables users to personalize aspects like pronunciation, pitch, and speed, making it as realistic and lively a voice as possible, closely identifying with a natural human voice. These are great possibilities, but there is a flip side where this technology can be abused if used without the knowledge of the person whose voice it matches. The Arijit Singh Case: A Significant Decision on Personality Rights The recent ruling by the Bombay High Court in favour of Bollywood singer Arijit Singh brought attention to the legal issues surrounding AI voice cloning. The court, in the present case, provided interim relief to Arijit Singh, recognising that his voice, name, and likeness are essential components of his identity, referred to as “personality rights.” Arijit Singh initiated legal action against Codible Ventures LLP, a firm that allowed users to generate content using his voice without obtaining consent. The court’s decision to define the unauthorised use of Singh’s voice as a violation of his rights sets an important precedent. It emphasises that an individual’s voice, much like their name or image, is an integral aspect of their identity and is protected under personality rights.  The court acknowledged Singh’s status as a well-known and influential artist, pointing out his reputation and goodwill in India. The court highlighted that previous cases concerning personality rights indicate that using a celebrity’s voice or personal traits for commercial gain without permission constitutes a clear violation of those rights. This ruling clearly suggests that tools that allow for the generation of content in a celebrity’s voice without their permission infringe upon their rights and pose risks to their economic and public standing. Legal Considerations: Copyright, Personal Rights, and More The decision involving Arijit Singh carries major consequences for several legal concepts, such as copyright, intellectual property, and personality rights. 1. Personality Rights: This case highlights that a celebrity’s name, voice, and likeness are integral parts of their personal brand and identity. Protecting these rights stops illicit third parties from profiting off someone else’s identity and plays a crucial role in protecting their career and livelihood. 2. Copyright and Ownership: The complexities of ownership arise when dealing with AI-generated content that utilises cloned voices. Is the voice model subject to copyright protection, and who holds the legal rights to the content generated with that voice? When a voice model originates from a public figure, the boundaries of copyright law can become vague. It raises questions about who actually holds the rights: the creator, the individual whose voice is replicated, or the developer of the AI. 3. Economic and Reputational Concerns: The unauthorised use of a prominent voice can have adverse impacts on the person’s professional life. In Singh’s situation, his reputation and popularity render his voice a crucial element of his personal brand. The court’s decision recognises the potential harm that unauthorised use of his voice may pose to his professional standing and revenue. 4. Right to Publicity: This case expands the idea of an individual’s control over the commercial use of their identity. With the growing ease of AI voice cloning, it is becoming more vital to safeguard individuals against the unauthorised use of their identity. This acknowledgement offers a foundation for protecting people’s identities and personal characteristics in the era of AI. Setting Standards for AI Voice Cloning The Arijit Singh case highlights the pressing need for well-defined and thorough regulations concerning the commercial application of AI voice cloning technology. Considering the possibility of misuse, here are some suggestions to tackle these challenges:  Explicit Consent Requirements: The use of an individual’s voice or likeness must obtain clear, documented consent, especially when it pertains to commercial purposes. Transparency: Informing consumers about the use of an AI-generated voice is crucial to prevent any potential misunderstanding, particularly when the cloned voice closely resembles a well-known individual. Defining Usage Boundaries: Setting clear boundaries between personal and commercial applications can help prevent misuse while allowing individuals to utilise the technology for their own non-commercial purposes. Conclusion This ruling by the Bombay High Court, giving practical effect to Arijit Singh’s right over his voice, is a positive balancing act between harnessing the modern technology of AI voice cloning and protecting individual rights. Considering the new technology of voice synthesis, society must develop legal protections against the appropriation of one’s voice, name, and likeness. This ruling is a landmark case in that it shows how the law can adapt to emerging technology and preserve innovation while ensuring the protection of individual rights against invasive practices. Such frameworks will be critical to ensure the responsible use of this powerful tool, prevent misuse, and safeguard individual identities as we explore its potential further.

Read More »

What is Trademark Squatting? Insights into the Legal Battle Over Brand Rights

Trademark squatting refers to the practice where individuals or entities register popular brand names, trademarks, or domain names with the aim of making a profit from them. This practice can pose legal difficulties for legitimate brand owners, as opportunists frequently try to sell these assets back to companies at inflated prices, anticipating that the demand for these names will result in a substantial profit. This issue may not be new, but the evolving digital landscape and the growing significance of online branding have amplified its effects. Understanding Trademark Squatting Trademark squatting involves the unauthorised registration or use of a trademark that closely resembles a well-known brand or business name, with the aim of capitalising on the brand’s reputation. This practice typically takes place in two areas: Trademark Squatting Under Indian Law The Trademarks Act, 1999 regulates trademark matters in India. While it doesn’t directly mention “trademark squatting,” it sets up the legal structure for safeguarding registered trademarks. Indian law provides two primary legal remedies to address the issue of squatting: 1. Trademark Infringement: When a squatter utilises a registered trademark, the legitimate owner has the option to initiate a lawsuit alleging trademark infringement. Courts evaluate aspects such as similarity, the purpose of registration, and any damage inflicted on the original brand. 2. Passing Off: When a brand owner has not registered their trademark, they may pursue a claim of passing off, which is a remedy recognised by common law. The brand owner must show their goodwill and establish that the squatter’s use of the brand leads to confusion for consumers.  Furthermore, in situations concerning domain names, India’s .IN Dispute Resolution Policy (INDRP) directly deals with disputes related to .IN domain names, whereas international cases involving generic domains typically come under the Uniform Domain-Name Dispute-Resolution Policy (UDRP). Trademark Squatting and Cybersquatting Trademark squatting and cybersquatting are interconnected concepts, yet they vary in their extent. Trademark squatting involves the misuse of trademarks across various market segments, whereas cybersquatting is focused specifically on internet domain names. Both, however, seek to gain from unauthorised registration, often expecting that the rightful brand owner will repurchase the asset to prevent possible confusion among consumers. Recent Judgment on Trademark Squatting In a recent case involving the domain name JioHotstar.com, the registrant claimed they purchased the domain thinking that Jio (the telecom brand owned by Reliance Industries) and Disney+ Hotstar were likely to come together, based on speculation in various industry circles. They even registered this domain name, assuming that if Jio and Disney merged, Jio could brand it as JioHotstar. The registrant confessed that the aim was to sell the domain to Reliance, stating, “It was a money-making venture to pay for education at Cambridge.” The above explanation notwithstanding, the nature of this cybersquatting case was so textbook (cybersquatting being a specific type of trademark squatting, where instead of a traditional trademark, the focus is on the domain name) that the legal outcome was predictable. In recent years, the judgment of courts globally, including in India, has increasingly emphasized intent in matters related to trademark and cybersquatting disputes. In this case, the registrant’s objective was clearly to profit from a potential merger by flipping the domain back to the brand itself—a motive devoid of any legitimate business interest. This leans towards bad-faith registration, a significant factor that courts examine in cybersquatting cases. In this instance, because JioHotstar.com was not intended to host a legitimate business or service but to be resold for profit, it was categorized as bad faith under section 4(b)(ii) of the policy. Courts generally view such intentions negatively, and if the legitimate brand owner challenges the domain, the domain owner is likely to face difficulty defending their position. The example of *JioHotstar.com* highlights the need for courts to take a firm stand: domains registered with the intent of exploiting brand equity should be invalidated, even if the challenge by the trademark owner is based on their interests. Strategies to Prevent and Address Trademark Squatting Brands can implement proactive measures to steer clear of the difficulties associated with squatting: Conclusion Trademark squatting remains a significant legal challenge for global brands, impacting brand integrity in both online and offline environments. With courts increasingly focused on protecting the rights of trademark owners, cases like JioHotstar.com illustrate how the legal framework discourages attempts to exploit recognised brands for personal gain. Companies can protect their brand and prevent squatters from taking advantage of their intellectual property by actively registering trademarks and monitoring domain names.

Read More »

Food Plating and Copyright Protection in India

Food plating — the positioning and presentation of food on a plate has matured into its own craft; showcasing chefs around the globe serving up more than just taste alone. In addition to aesthetics, it sets up your dining experience and reflect the brand identity of a restaurant. Chefs and restaurateurs have resorted to intellectual property (IP) law in different countries around the world, for protecting their unique forms of plating. But in India, copyright law does not allow for food plating to be protected easily: the same is because of two key reasons; firstly, food being highly perishable items and secondly primary purpose of using dishes as they serve a functional role. This article takes a closer look at the intersection of Indian copyright law and food plating, covering eligibility requirements and mechanisms for protection as well as some significant challenges. Copyright Eligibility for Food Plating in India Under the Copyright Act of 1957, copyright protection in India applies to original works of art, literature, music, and more. For a work to be eligible, it generally must meet two main requirements: However, Indian Copyright Law does not automatically deem the plating of food copyrightable. Chefs have no immediate legal protection for their plating, but by photographing it they can at least preserve the creative arrangement in a fixed medium. This approach means the copyright is granted to the photograph or video itself—not the plated arrangement—which still presents some limitations but can deter unauthorized reproduction of the image. Protecting Food Plating in India: Alternative Approaches Despite the challenges, several IP options could provide indirect protection for food plating in India: Key Challenges in Achieving Copyright Protection for Food Plating Even with these alternatives, protecting food plating remains challenging in India for several reasons: Practical Recommendations for  Chefs and Restaurateurs For chefs and restaurant owners in India interested in protecting their food plating styles, here are some practical steps that can help: Conclusion Food presentation does not enjoy copyright protection in India, as food is transient (disappearing after a meal), functional, and perishable. Although food plating does not fall under the traditional copyright regime, chefs or restaurateurs can explore other methods—such as photographic copyright, branding protections, contractual protections, and trade dress—to safeguard their culinary creations’ presentation. While these solutions provide some level of protection, they ultimately highlight the issue that, in the Indian legal context, food plating lacks force under copyright law. If chefs hope to protect their plating artistry in India, the key is to focus on brand-building and be inventive with alternative IP protections.

Read More »